Dr. Alka Pande, Kuratorin, zur Vernissage in der Experimental Art Gallery, November 2009
I would like to express my gratitude to Nesa Gschwend, who's acquaintance I made five months ago, to Florence Tinguely Mattli, who accompanied the exhibition from the Swiss Embassy's side, and to Thomas Imboden of CrossCulture, who brought us all together.
In this room, which we named Experimental Art Gallery, we intended from the start to show works that visualise the artistic process. Nesa is one of the rare artists who opens this process to the viewers. Yesterday, she arrived with her bags, in which she had rolled up her textile installation, and it is fascinating for me to see how she has transformed this space with them.
As a metaphor, she uses the sari, the standard dress of Indian women, and in her video the process of creating the long strings through tearing, knotting and combining the saris is made visible. Garlands, malas, have a central function in Indian culture. However, she places them in a new context, in which she includes her own experience with the Indian culture in Varanasi, where she visited places that are of great importance for us Indians, such as the Manikarnika Ghat. What Nesa did, was to bring back to us these places in her own language and with her own personal perspective.

From the Exhibition Guest Book:

To be a human in this world means to be the world, and life is what we, in a permanent boundless movement, make of it. In its eternal depth, life unfolds in all four directions and can be challenged from any angle. In his self expression, a human being is eventually invincible." Kuldeep Singh, author, Delhi
Einladung zur Ausstellung in Delhi, Indien
Link zum englischen 'Red Strings'-Blog
Link zum India Habitat Centre, Delhi
Link zu Dr. Alka Pande, Kuratorin